An Experience in Love

Description

“During the creative process, I place myself in the position of the composer, not the performer.
From this standpoint, I ask my readers to engage with my writings, and with this particular novel, in which they will find a flavor they are not accustomed to in my other novels.
The madman—the focus of this novel—imposed his madness on me, and perhaps for this reason, the novel came out in this unfamiliar way for me. The chapters are interwoven; they can be arranged as they happen, and they can be read in ascending or descending order. Without any order, the main character disintegrates rather than grows. The element of suspense, or rather the thread by which the book connects its readers to the work, does not lie in the growth and ramifications of the event, but rather in the search for the existence of some event that can be the subject of the writing, while simultaneously delving into the state of madness.
A complete contradiction exists between strict logic and the absence and inertia of a starting point. Perhaps I, as a reader, am not satisfied with some of this, but as a writer, I find myself compelled to assume the character of the madman, if I am not actually him. “I feel compelled to defend the case.”