Description
In this book, it seems that Mahmoud Darwish is still able to amaze and give Arabic poetry more elegance and dominant appeal at a time when his reading of that poetry is declining and he indulges in miserable delirium and absolute ignorance. Here, Darwish questions poetry, erects barriers to eloquence, and attacks the canned phrase in a stylistic rebellion against meaning and image in the context of breaking through the conventional, repetitive, and boring concepts. These are the original questions of poetry, from the bed and the electricity bill to the Sumerian palm tree to New York to the rose of Jericho.. and we pant after the poet who races against time and tries the impossible.
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