Description
The arts are among the most human expressions where bias can manifest itself clearly, with profound and complex implications. As products of human thought and perception of existence, life, and the world, theater—one of these arts—which has held immense value since its origins in ancient Greece and continues to thrive in this century, encompassing a rich tapestry of diverse forms and a unique convergence of various art forms, is inherently biased in the very act of theatricalization (la theatralisation), from the text to the performance and the audience. Based on this, we can pose the following questions: What is the meaning of bias? What are the implications and manifestations of this concept in the written, audio-visual, and artistic arts? And how does bias appear in theater? While these questions serve as a starting point for a broader exploration, numerous avenues can be opened to delve into this concept, its nuances, and complexities. A range of researchers, offering diverse perspectives, will explore this concept and its various manifestations in world theater.
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