Description
A cruise ship voyage. Passengers are promised a unique two-minute dance performed by mermaids in a specific spot within the waters of Tritonval. Yet, the novel is constructed upon a foundation of horror—both silent and clamorous—straddling the boundary between the mythical and the savage reality of human existence. It echoes the absurdity and disarray of being, the predicament and loss of reason, and the way logic recoils into a hellish state—revisiting the ancient legacy of imagined hells, from Homer to Dante.
It is likely a delirious journey, where every situation becomes an ordeal born of an exhausting, profound heritage. The passengers—drawn (perhaps) from our own era—carry inseparable burdens; when they sleep, they do so with iron clogs shackled to their feet, and they bathe in flames rather than water.
A journey defined by horror and madness governed by the rules of delirium—a voyage from which no one escapes the other. Quiet crimes. Unbridled desires. A chaotic behavioral landscape where the only governing principle is an insatiable hunger for destruction. In short, this novel is the very section Hieronymus Bosch left unpainted in his masterpiece, *The Garden of Earthly Delights*.
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